Images of Women in European Art

Images of Women in European Art John Berger is a critic of art, a novelist and a writer. He is also a painter. Berger is known for his book, The G which has won may awards. Berger is also known for his feature an art stick on Ways of seeing. He was born in England in 1926. He attended schools in England and then joined the army. His critic tradition stemmed while teaching drawing in London schools. After dropping from the army he avoided criticizing the Soviet Union but eventually his views of the same union became more acute. It is also beneficial to know that, in 1962, Berger drove himself out of Britain to a self imposed exile. The reason he exiled himself from Britain was because he had considered days in this country distasteful. The article Images of women in European Art is part of Bergers book Ways of Seeing. In this book, Berger has made the reader see art in a different dimension. He argues that the view of the world is not similar with the way it actually is. He uses pictures and not words in first chapters to try to make readers see themselves in a different dimension. An image of Women in European Art has different fallacies that portray the way he sees women in society. He argues in this article that women are sensuous objects that are there to arouse the male audience. He argues that there is a variance in being naked and being nude. Being naked is to be oneself but being nude is to be seen naked by other people. Berger asserts that women are inactive objects that are always available. The article is, therefore, criticized in several ways because of its portrayal of women in the European art. In this article, John Berger reconstructs the way of seeing and attends to perspective and conventions for visual dialogue based on the peoples collective and personal belief constructs. He analyzes the origin of art and the way in which people look at art which he specifies are affected by a chain of learnt assumptions about truth, genius and civilization form. He deals with geometric perspective; the setting of a vanishing point in paintings and the way in which man was induced to believe, he was the center of the uniqueness in the world as the spectator. His discussion of perspective and mans position, as a sole viewer with universal seeing power, informs his discussion of the inherent gender divisions initiated in early works of art. Not only was the viewers perspective god-like and all knowing, but it was overwhelmingly male. More specifically he demonstrates this point i n reference to European art. In the form, of European art, the spectator-owners and painters were always men and these men always saw women as objects. This unequal relationship is so deeply rooted in culture that it still shapes the consciousness of many women. Women in the society always see themselves in the manner in which men see them. They also treat themselves the way men treat them. They explore their own femininity. This is the chief legacy that he points out in this article. It also shapes the way in which the artists view women. Berger was a painter and, therefore, most of his opinions stemmed from his paintings. He clearly distinguished himself as a painter. The paintings of nude women hanged on museum walls were considered as some form of immoral act. They were seen as images of sex. They were considered as images that were there to be used and violated. The male nude forms of male paintings in museums had a different perspective according to Berger. He argued that in the past nude male paintings were seen as a way in which the imitated Christians messiah. They were seen as striving to be like Jesus. In todays paintings, male nudity is seen as not a way of immoral act but as a form of strength. They are considered to be exuding some form of virility. In these present days women, pictures that are nude are seen as a phonographic. These present opinions stem from the past portrayal of women. The question is, is there a difference in a nude man and a nude woman. They are both nude. Why is the woman portrayed in a negative form then? From the deep discussions of the past to the analysis of the present in the use of publicity images, Bergers ideas about the social and beauty assumptions that inform the way we see are fundamental to understanding the image saturated environment and media consumed lifestyle. From art history, and the basics about the changing nature of perspective to spectator viewing and notions of intimacy revealed in European nudes and modern publicity images, promoting lifestyle and brand identities, Ways of Seeing is complete in its dissection of the complexities of the visual culture and comprehensive in its exploration of our reality. Berger has played a role in modern female thinking by exploring how women are portrayed in classical painting and advertising. He takes on the subject so straightforwardly, taking into question the entirety of the womens classical images. Bergers conclusion and that of his interviewees are that the nude womens paintings hanging in the best European museums is nothing more than pornography. The women in those paintings are nothing but objects that can be consumed or violated. He so forcefully speaks against this part of the western canon. However, Berger is not without faults. His appeal of oil paintings portrays them as the highest of visual forms. This may not be the case. In history, photography is somewhat fuzzy, but according to Berger, photography, as a work of art, was finding its way into the finest galleries and museums in the world. Photography is now in the same class with other visual forms of art as almost equal. Bergers reliance on his own arguments and opinions, too, br ings problems. In almost half of his arguments, he has not had a single female critic discussing the subject. Berger proficiently weaves the visual with discussions on the subject of the visual in clear-cut and jargon less language. He clearly presents his views making cautious observations about the visual without looking into art school discussion-style solipsism, ambiguity, tautology, or prevarication. Berger also argues that judging women as beautiful is a way of an artists perspective. In Paris, a woman is judged by how beautiful she looks. Men are the ones who view and judge women as whether they are beautiful or not. This has been incorporated with judgment. A present is awarded to a woman who is tremendously beautiful. This judgment has given birth to what is normally considered like a beauty contest. Those women who are considered to be beautiful, gets the price, and those who are not, do not get any reward. This is how men have set standards for women to use in judging themselves. Does this mean that only women who are considered beautiful by men always win? Is it possible that there are other ways of judging women? Why is it that men are never evaluated in terms of their beauty? Women can also be evaluated a variety of other abilities and not how beautiful they are. There are women writers, painters who have excelled in this field and have won themselves prices (Berger, 197 2). The prizes to be won in beauty contests are owned by the judge. These judges are, in most cases, men. This means that women are available to them. It is also to say that these nude pictures have been placed to satisfy male urge and their desire to possess. Berger argues that, most of the nude paintings in museums have been hung to satisfy the sexuality of a man looking at the picture. Does it mean, then, that nude paintings are hung to satisfy the male sexuality only? Berger also argues that the womans sexuality should be minimized so that the male audience has control of passion being exuded. He further says that women are there to fuel and feed the males appetite. Who will feed the womans appetite if it is only the males that has to be fed? It is hypocrisy that men paint nude pictures of women because they enjoy looking at them and then shove picture to the woman to look at her shame. This is condemning the woman whose picture he had painted to amuse himself. While men look at women, women also look at themselves the way men are looking at them thus making a double audience for themselves. They, therefore, look at themselves as intensely conscious of how they are presented and how they look in the male eyes. He says that a woman who looks at herself is considered as a narcissist while a man who looks at whatever he likes is considered an art connoisseur. Berger argues that only a person can turn someone into being nude. This is taken a step further when Berger points out that the fan owner of a painting becomes the spectator owner of a representation of a woman; therefore, the spectator is depicted as the male and the nude image as the woman who is intended to flatter the man. Male spectators are applied in two ways in the following example that represents a picture: the exchange between Gerty and Bloom and the mention in the painting which was painted in the twentieth century. In Making a spectacle of Herself, Gerty MacDowell in the painting, Katherine Mullin Joyces; suggestive and arousal Gerty are compared to modest and sexually pure Flint of Cummins. She is seen like she is conscious of her beauty and her power to provoke the mans attention, but, Flint is totally unconscious of her beauty. This device is used most of the times to pass on a message to young ones. The prude and modest Flint serves as the role model for youthful Irish women. Mullin states that her reward for her diffidence is her u ltimate marriage to her childhood darling. On the other hand, the sexually open and provoking Gerty is left at the end not married. Why is it, then, that men paint pictures of nude women and later on condemns them? In this example, a naked woman was not married later. It is true even to date that those women who are portrayed as naked in the websites or televisions are rarely married. This is because men believe that they have exposed their nudity in a truly sinful way. Why then did they paint these pictures if they were not destroying the moral reputation of women? Bergers discussions of nakedness are taken further when he asserts that, in western Christian art, nakedness of male is a symbol of a struggle to be more like Christ, while that of female symbolizes lust and sin. The male nudity is, therefore, closer to perfection than that of female. The discussions by Miles, about Adam and Eve, are based on this argument, emphasizing that Eves believed guilt in the fall of man and her creation from the body of Adam have been conventionally treated as the reasons of Eves weakness to Adam. If Eve is a representation of every woman, her imperfections speak to the common limitation of women and their shared sinfulness. Based on Bergers Miles views, the treatment of all women by Christianity as potential witches and the credence of their expected vulnerability to evil are seen as unfairness paid to the depiction of women. There is, therefore, a great reason for the need of a new form of feminist art. Representation of women according to Berger has fallen victim to two systems a) The use of their bodies to provoke the male gaze and the ultimate objectification of women b) The aversive and negative treatment in western Christianity. The two systems are crucial factors that have contributed to the agenda approach used in art, literature, and on screens major types used in gender depiction, which was created by men for themselves. When these are examined, the hidden agenda in representation is exposed, and it sparks one of the most castigatory actions to sexual category politics: women discontinue watching the men in suits and embark on their own representation. In the Judgment of Paris, a story presumably originated by men, starts by displaying the, vanity of female: a dispute of three goddesses over their individual beauty triggers the meeting with Paris, the inducement and the consequences. Then their characters are with vindictiveness and conceit fleshed out, so there is no way that a safe decision can be made by Paris, let alone one that is just. The goddesses are blamed for all of it. Yet this story gives possibilities for the artist (who is not apprehensive with blame) to scrutinize the relationships between power and sexuality. Supposedly, as Berger suggests, Paris and other male viewers have the authority of judgment over the female beauty, but inside the world of the story, the real authority is with the goddesses. In the after effects the argument at Troy was about goddesses who were always responsible for the defeats and victories of men, by their unswerving divine intervention. The goddesss divinity has been artistically represented in various ways. Cranach decided to make their figures bright, but also weak and wife like. They are then infused with vigor by Reuben, but they are on display clearly, for us, as well as for Paris. The figures for Raphael are extremely powerful. They are nude; a world that is naked and filled with parity, but none of the representations undoubtedly represents the power of the power of goddesses over Paris to the level that is achieved by Watteau. The iconographic essentials are in this picture just as they are in Cranach and Raphael. Paris is shown sitting on the lower part of the picture before the key form of Aphrodite. Athena is on the right, and she is already dressed. Hera is retreating at the top of the picture and is followed by Peacock, having said all these. The picture is quite contrary in its components from any that had gone before this because it is representing a valuable genius in this painting; the power of Paris is utterly destroyed. Paris almost cowers, and the way she puts her hands humbly over her head is not a gesture of a judge who is conferring an accolade but that of a supplicant making a submission. Athena and Hera see this too with Hera conceding already and Athena appearing to be shielding herself from the power of the winning goddess. The situation is more intricate that this, for the power that Aphrodite has is openly sexual. All attention is on her as she disrobes (except for Hermes turned away, of course). However, all that can be observed by the spectators in the representation is her lower half. Cupid makes sure that Paris gets a clear view of the genitals of Aphrodites, and that, it seems that it is enough to secure h er victory. Berger considers nudity as a process and not an act. The question is what process? A European humanism, which tried to view nakedness in terms of individuality, argued that nudity should be arrived at by piecing different parts of the body. The reason for this argument is that painting pictures of nude women is a personal interest. There are parts, that he likes most, and, therefore, will want those parts painted for him. Conclusion Bergers representation of these facts about women; can be generalized as fallacies that try to define nudity of women. It is not fair that Berger has these opinions on women. The nude presentation of women poses several discussions on whether women are quite sensual objects that are just there for the amusement of men. The techniques, which Berger has used, are not a fair representation of women. Contrary to Bergers believes, women are not passive in the society and are not sexual symbols. The oil paintings of naked people of whether male or female constitute nudity and should be viewed in the same way as nudity in women is viewed.

Popular Girls Essay

â€Å"Popular girls† is a short story from 2001 by Karen Shephard. She is born and raised in New York and her work has been published in several papers. The short-story sets in the early 80’s where we get some insight in the life of five rich and popular girls. They are self-centered and don’t have the slightest interest in other people. Their entire life is about maintaining their image as a group. The setting is New York, which is the riches city in the US. The city is also known as The big Apple and The city that never sleeps. This reflects in the mentality of these girls. They do speed, and not weed, because they want to get through school as fast as possible. They want to live life in the fast-lane and do extravagant things. Every paragraph of the text concerns some aspect of their life described in details. Every little thing about their life is mentioned. Their life and how they live it, is basically written as some kind of guidebook to popularity. A very important part of this popularity is the labels and the famous places of New York. This just underlines the superficiality of these girls’ lives. Throughout the entire text, the narrator addresses the reader. The narrator seems to be a †us† and a †we†. Somehow it is someone within the group of girls narrating or the entire group as one single unit addressing the reader. By saying things like †You know who we are†(p.1 l.1) and †You can’t get enough of us† makes it very clear, that they are aware of their status. It can also be a way of reaching out to the reader and making the reader remember how school was in the 80’s. Many people could have certain girls in their mind when reading this short story. Even from the very first sentence. The attitude of the text is a bit provoking. The first sentence is also a good example of this. By continuously addressing the reader, it keeps on having the effect of them being superior to not just other people, but you. As if you were actually there at the time. It is very clear that the narrator is focused on the †us† an d †you† and †them†. The popular girls against the rest of the world. You can’t be a part of their clique, but you can be a †friend† of the clique. This can be seen physically by their moat of backpack’s (p.1 l.22).Their other friends can sit on the other side of their moat, but cannot be let in. These girls only focus on their appearance  and of how other people perceive them. They don’t exactly worry about these things, but it constitutes their entire life. Where they go, where they sit, how they sit, it has to be the right way. They are not interested in other people and neither are they in each other,†You’re crying† we say, pointing.†(p.7 l.169) as if this is just a mere fact and they how no idea of how to act upon this. They only like the idea of themselves as a group of perfect friends, which is exactly what they are doing by saying †It’s a performance of us, the group of us† (p.6 l.147) and †Look at you, we are sa ying. Look at you. We are happy together, part of something and not alone, and we celebrate that out loud.†(p.149-151) their entire life is a performance of themselves and the performance of the fact that they are not alone. Perhaps they do feel alone in a life of rich parents that bring back dolls and pearls from business trips for their collection. There is a conflation of identities between these girls as they don’t work as individuals, but just as a group. This is made clear on page 2 line 58. †We walk in the formation of migrating geese.† Here the author uses humor/irony to emphasize the slight silliness of the group when comparing them to poultry. They are basically a herd of animals dependent of each other. Even though they define themselves as a group, Stephanie seems to be the leader, as she is described as a slightly more individual person: †We’re Kaethe and Alina, CJ and Sydney. Stephanie.†(p.1, l.1) here she is singled out as their frontline figur e. Stephanie is the tallest and also in the center of their †geese-formation†. She also dictates the idea of wearing these special rings, which they all obey. The girls have this special bond that consists of a strong †friendship†, but probably because they can’t see a way out. Without the rest of the pack, they would feel hopeless. None of them dares to leave anyone behind. The ending is a picture of their †friendship† whilst they perform as a group, they also make a performance for each other. No one knows them, not even their family and not even their own clique. They put on a performance of their popularity, even for their friends. Somehow, without words, they push each other to do things that are considered â€Å"cool†. But none of them knows when to stop. â€Å"Whatever happens will be performed in front of the group. We ask ourselves weather we can actually do this; (†¦)We are uneasy. Nothing about this whole thing will be graceful. No one is leaving†(p.8 l.198-201) none of the girls wants to be the one  chickening-out, no one want’s to be the one leaving the rest behind. Leaving now would be a kind of betrayal or a sign of weakness. Their obsession of being popular and someone important is a postmodern theme, also seen in: †Not yet, Jayette† by William Boyd from 1981. Although he does not reach this purpose, he has the same goals and views of life as these popular girls. None of them will ever feel complete, with or without these materialistic things.

Analysis Of Mother To Son By Langston Hughes - 736 Words

Langston Hughes was an American poet and was known to be a leader of the Harlem Renaissance. The poem â€Å"Mother to Son† was written by Langston Hughes in 1922 and the poem portrays a conversation between the mother and her son. The poem revolves around the mother telling her son that life is full of ups and downs and no matter what happens, not to give up. The poem showcases hardships, hope, and words of wisdom that the mother will tell to her son. The mother begins by how her life wasn’t easy, she states â€Å"Life for me ain’t been no crystal stair† (Hughes, 6). This line describes how she begins with saying that her life wasn’t like a crystal stair. When I heard the â€Å"crystal stair† I immediately thought about how crystal stair is, the†¦show more content†¦She then says â€Å"And sometimes goin’ in the dark† (6), â€Å"where there ain’t been no light† (6). By those lines she says in order to acco mplish something and reach that place of hope then you have to go through places that someone wouldn’t normally want to go through in order to achieve that goal. Then the mother shifts the poem and telling her son to never give up. The mother says â€Å"So boy, don’t you turn back† (6). She is saying that to him because she went through all of those struggles and hardships and there are ups and downs but there is always hope. She then says â€Å"Don’t you set down on steps† (6). Sitting down on steps meaning that you are giving up and taking a break from the goal that needs to be achieved and she is saying not to do that. She then says â€Å"Don’t you fall now† (6). I see that quote as an indication that her son has been though a lot and she is telling him not to quit now. It’s sometimes easy for people to advise others not to give up, and it’s the main theme of this poem but in reality it’s really hard not give up. I’ve been through many hardships in my life, but you just have to realize that there is a hope for every hardship. I believe that it’s a great theme to have on this poem. The way the mother was going on with the stair being torn up or the splinters, it really represents how the path for some people are. The path is never paved straight, and as we go through the struggles and hardships we learn a lesson in our lives. TheShow MoreRelatedAnalysis Of Mother To Son By Langston Hughes768 Words   |  4 PagesLanguage Arts ï ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Ã¯ ¿ ½Grade:ï ¿ ½ Six    Standard:ï ¿ ½ #3:ï ¿ ½ Literary Response and Analysis    Key Concept:ï ¿ ½ Students respond to tone and meaning that are conveyed in poetry through word choice, figurative language, line length, punctuation, rhythm, alliteration, and rhyme.    Generalization:ï ¿ ½ Students respond to poetic language in Mother to Son by Langston Hughes.    Background:ï ¿ ½ Students have been working on a poetry unit and have been studying how the elements of poetryRead MoreAnalysis Of Langston Hughes s Poem, Mother And Son1171 Words   |  5 Pagesbelt, life is not always easy. As Langston Hughes states in â€Å"mother and son life is not a crystal stair. With his brilliant writing, Hughes conveys to the reader to never giving up just because something is not easy (Langston2). In the poem â€Å"Mother to Son† by Langston Hughes. It seems that Langston Hughes wants the readers to understand that yeah life may be hard, but you have to get through it. One cannot give up just because things are not going their way. The mother explains how she has also enduredRead MorePoem Analysis : Langston Hughes Poem1258 Words   |  6 Pages Research Paper and Poem Analysis: Langston Hughes Poem Analysis: Langston Hughes’ poem â€Å"Mother To Son† is a twenty line poem that seems to be from the perspective of a prudent mother that is giving her son, and possibly the readers, some helpful and supportive advice, telling them that, no matter how many adversities they may face, they can not give up. I believe that this is the main theme of the poem, perseverance. â€Å"So, boy, don’t you turn back./ Don’t you set down on the steps./ ‘Cause youRead MoreThe Importance of Determination Essay687 Words   |  3 Pagestrying until they successfully overcome the obstacles that stand in their way. â€Å"Mother to Son† by Langston Hughes and â€Å"Still I Rise† by Maya Angelou are two different works written by two different authors yet they both convey the same message. Together, the two authors stress the significance of pushing harder when faced with conflicts rather than simply giving up. Using figurative language and repetition, Langston Hughe s and Maya Angelou effectively emphasize this message in both of their poems. Read MoreSingle Parenthood Culture1266 Words   |  6 Pagesbe boring in some cases. However, single parents, especially single mothers encounter serious challenges related to parenting. Single parenting is a succession of constant mental torture because of ineptness, self-scrutiny, and remorse. At some point, single parents will often encounter serious psychological problems some graduating to stress and eventual depression. Again, there are far-reaching problems that force single mothers to a set of economic or social hardships. Social hardships are evidentRead MoreReoccurring Themes in the Work of Langston Hughes Essay1649 Words   |  7 PagesLangston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (â€Å"Langston Hughes† 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life ou tside of Harlem (â€Å"Langston Hughes† 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. 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Mrs. Jones sees a boy that is in need of good parenting, instead of looking down on him as a criminal. Like a mother, â€Å"he scolds him, but takes care of him by making him clean up andRead MoreI Know Why The Caged Bird Sings And Still I Rise By Maya Angelou1517 Words   |  7 PagesSings† and â€Å"Still I Rise† by Maya Angelou are both poems that speak on the issues of the mistreatment of African Americans, and how these challenges were created simply by the color of one’s skin and overcome. While the poems â€Å"Mother To Son† and â€Å" Dreams† by Langston Hughes refer to the hopes of African Americans for a better standard of living, and the consequences of departing from these dreams of bettering themselves. This comparison of these four poems is important because all four aim to betterRead MoreMother to Son and the Coora Flower: a Poetry Analysis1417 Words    |  6 PagesMother to Son and The Coora Flower: A Poetry Analysis In poetry, more so than any other form of literature, understanding sound, meaning and theme are key to understanding the work itself. In the case of the poems â€Å"Mother to Son† by Langston Hughes and â€Å"The Coora Flower† by Gwendolyn Brooks these elements, when heavily focused upon, allow the reader to discover the message that these writers were attempting to convey. Thought both writers use these elements to their fullest to communicate their respective

How Important Are Railroads to American Industrialization

Before the 19th century, American people relied on solely trade and farming in order to survive. After the American Revolution and the American Civil War, people noticed the importance of manufacturing and industry. This is when American development in industry started. However, railroads probably contributed the most to American industrialization. Without railroads during this time period, American development, especially in westward expansion, development of market/industry, and development of agriculture, would have been almost impossible. The construction of railroads encouraged westward expansion. When the construction of  ¡Ã‚ °the first transcontinental railroad was completed in 1869, ¡Ã‚ ± (Era, 72) it provided many benefits for the†¦show more content†¦The most important industry that arose from the construction of railroads was the steel industry. During the construction of railroads, a great deal of steel was needed; steel was used to build the railroad tracks and the railroad cars. However, steel was also used to build other items and proved to be useful. Railroads also created a natural monopoly. Railroads connected cities with each other and able to trade with each other. Through railroads, cities became  ¡Ã‚ °interdependent ¡Ã‚ ± (Danzer, 254) and  ¡Ã‚ °began to specialize in particular products ¡Ã‚ ± (Danzer, 254). For example, one state would specialize in one particular product while a second state would specialize in a second product. When these two states traded with each other, they would have what they needed. Through this  ¡Ã‚ °specialization ¡Ã‚ ± of states, America began to develop as an industrialized nation. Thirdly, railroads helped develop certain agricultural products. Railroads created a natural monopoly. However this was not only for manufactured products; this also counted for agricultural products. States in the South that usually produced agricultural products began growing only one kind of crop. Just l ike the states that produced only one kind of manufactured product, the Southern states also produced one kind of crop each. Also, cattle were more widely raised rather than hunting game. The railroad tracks  ¡Ã‚ °destroyed the buffalo ¡Ã‚ ± (Era, 72) andShow MoreRelated Industrialization in America Essay1293 Words   |  6 Pagesraw materials to the industrial centers that needed them, it was crucial that the speed of transportation was increased. Multiple types of transportation came forth in early 1800’s including roads, canals, steamboats and railroads which would all contribute to the industrialization of America. This time period would come to be known as the â€Å"Transportation Revolution† of America. (Ochoa 2). In 1815, farmers were struggling to keep up with the high cost of transportation of their goods. 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National wealth increased dramatically but their was a problem for the poor and the farmers of the U.S. People may say that the Gilded Age was the era of corruption, harsh labor and brutal industrial competition, but others think t hat the Gilded Age isRead MoreIndustrialization During The 19th Century1751 Words   |  8 PagesIndustrialization in the US During the 19th Century (Adjusted) There are many causes and effects of America’s Industrialization, some of the main reasons include: migration to cities, improved transportation, and laissez-faire philosophy, while the primary effects generated by these causes include; consumerism, expansion of the market, and changed working conditions. First, one of the major causes of America’s mechanization is social, and it’s the mass migration of people into the cities. AroundRead MoreImpact of Big Business on Politics and the Economy Essay849 Words   |  4 Pagessuffered under the wrath of growing corporations. The impact of big business on the economy and politics was immense during 1870 to 1899. Corporations were growing significantly in number and size, which had a domineering affect on American economy and defined American life. The growing corporations in America dominated most of the economy, creating a large gap between the rich and the poor. During this time period food, lightening, and fuel prices declined significantly, and the cost of living only